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	<title>My Sweet Nothing &#187; Jutta Koether</title>
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	<description>an open (note)book about art and language</description>
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		<title>Jutta Koether, The Staging of Restricted Means in the Landscape Redefines the Terms of Pleasure of Painting</title>
		<link>http://www.mysweetnothing.com/2009/08/jutta-koether-the-staging-of-restricted-means-in-the-landscape-redefines-the-terms-of-pleasure-of-painting8230-via-anaanaancardi-like-the-way-koether-performs-various-types-of-languagediscourse-about/</link>
		<comments>http://www.mysweetnothing.com/2009/08/jutta-koether-the-staging-of-restricted-means-in-the-landscape-redefines-the-terms-of-pleasure-of-painting8230-via-anaanaancardi-like-the-way-koether-performs-various-types-of-languagediscourse-about/#comments</comments>
		<pubDate>Sun, 23 Aug 2009 06:02:00 +0000</pubDate>
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		<category><![CDATA[Jutta Koether]]></category>
		<category><![CDATA[Sweet Nothings]]></category>

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		<description><![CDATA[Jutta Koether, The Staging of Restricted Means in the Landscape Redefines the Terms of Pleasure of Painting&#8230; (via anaanaancard) I like the way Koether performs various types of language/discourse about art to underscore the idea of &#8220;reading&#8221; painting. Painter-as-poet-as-performer, she tosses the phrase &#8220;seeing red&#8221; in the air like a die as if to see [...]]]></description>
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<p>Jutta Koether, The Staging of Restricted Means in the Landscape Redefines the Terms of Pleasure of Painting&#8230; (via <a href="http://youtube.com/user/anaanaancard">anaanaancard</a>)</p>
<p>I like the way Koether performs various types of language/discourse about art to underscore the idea of &#8220;reading&#8221; painting. Painter-as-poet-as-performer, she tosses the phrase &#8220;seeing red&#8221; in the air like a die as if to see what side is up when it lands. The painting and the page. Her hands are red.</p>
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